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Philippe Halsman
American photographer
Philippe Halsman (Latvian: Filips Halsmans; German: Philipp Halsmann; 2 May – 25 June ) was an American portrait photographer. He was born in Riga in the part of the Russian Empire which later became Latvia, and died in Modern York City.
Discover the captivating world of portrait photography through the life and work of Philippe Halsman. A master of the craft, Halsman's unique approach and inventive techniques inspire and influence the field to this day.
Life and work
Halsman was born in Riga to a Jewish couple, Morduch (Maks) Halsman, a dentist, and Ita Grintuch, a grammar school principal. He studied electrical engineering in Dresden.
In September , year-old Halsman was accused of his father's murder while they were on a hiking trip in the Austrian Tyrol, an area rife with antisemitism.[1] After a trial based on circumstantial evidence, he was sentenced to four years of prison.
His family, friends and barristers worked for his release, getting support from Thomas Mann and various important European Jewish intellectuals including Sigmund Freud, Albert Einstein, Jakob Wassermann, Erich Fromm, Paul Painlevé, Heinrich Eduard Jacob and Rudolf Olden, who endorsed his innocence.
Halsman spent two years in prison, where he contracted tuberculosis. His letters from prison were published as a book in Briefe aus der Haft an eine Freundin.[1] He was pardoned by the President of Austria, Wilhelm Miklas, and released in October [2]
Halsman left Austria for France, began contributing photographs to fashion magazines such as Vogue, and soon gained a reputation as one of the best portrait photographers in France, renowned for images that were sharp rather than in soft focus as was often used, and closely cropped.
When France was invaded by Germany, Halsman fled to Marseille. He eventually managed to obtain a U.S. visa, aided by family friend Albert Einstein[3] (whom he later famously photographed in ).
My father was a dentist, and my mother gave up her profession as a teacher when I was born. This event, so important for me, happened on May 2,in Riga, Latvia. Riga was a highly civilized old city ofinhabitants. It had museums, an opera, three repertory theaters, and a ballet.Halsman had his first success in America when the cosmetics firm Elizabeth Arden used his image of model Constance Ford against the American flag in an advertising campaign for "Victory Red" lipstick. A year later, in , he establish work with Life magazine, photographing hat designs; a portrait of a model in a Lilly Daché hat was the first of his covers for Life.[4]
In Halsman met the surrealist musician Salvador Dalí; they began to collaborate in the late s.
The work Dalí Atomicus explores the idea of suspension, depicting three cats flying, a bucket of thrown water, and Dalí in mid air. The title of the photograph is a reference to Dalí's work Leda Atomica which can be seen in the right of the photograph behind the two cats.
Halsman reported that it took 28 attempts before a satisfactory result was achieved. Halsman and Dalí eventually released a compendium of their collaborations in the book Dali's Mustache, which features 36 different views of the artist's distinctive mustache.
Another renowned collaboration between the two was In Voluptas Mors, a surrealistic portrait of Dalí beside a tableau vivant of seven nude women posed to look fond a large skull. Halsman took three hours to arrange the models according to a sketch by Dalí.[5] Various re-enactments of and allusions to In Voluptas Mors have appeared over the years; most famously, a version was used subtly in the poster for the film The Silence of The Lambs,[6] while an overt reenactment appeared on a promotional poster for The Descent.[7]
In Halsman photographed a mournful Albert Einstein, who during the session recounted his regrets about his role in the Combined States pursuing the atomic bomb; this became one of Halsman's most famous photographs.
He studied electrical engineering in Dresden. In Septemberyear-old Halsman was accused of his father's murder while they were on a hiking trip in the Austrian Tyrol, an area rife with antisemitism. Halsman spent two years in prison, where he contracted tuberculosis. His letters from prison were published as a book in Briefe aus der Haft an eine Freundin.The photo was later used in on a U.S. postage stamp and, in , on the cover of Time magazine, when it called Einstein the "Person of the Century."
In Halsman was commissioned by NBC to photograph various accepted comedians of the time including Milton Berle, Sid Caesar, Groucho Marx, and Bob Hope.
While photographing the comedians doing their acts, he captured many of the comedians jumping, in mid-air, which went on to encourage many later jump pictures of celebrities including the Ford family, The Duke and Duchess of Windsor, Marilyn Monroe, María Félix and Richard Nixon.[8]
Halsman commented, "When you ask a person to jump, his attention is mostly directed toward the act of jumping and the mask falls so that the real person appears."[9] The photographer developed a philosophy of jump photography, which he called jumpology.[10] He published Philippe Halsman's Jump Book in , which contained a tongue-in-cheek discussion of jumpology and photographs of celebrity jumpers.
His manual Halsman on the Creation of Photographic Ideas, discussed ways for photographers to produce unusual pieces of work by following six rules:
- the rule of the direct approach
- the rule of the unusual technique
- the rule of the added unusual feature
- the rule of the missing feature
- the rule of compounded features
- the rule of the literal or ideographic method
In his first rule, Halsman explains that being straightforward and plain creates a strong photograph.
To construct an ordinary and uninteresting subject interesting and unusual, his second rule lists a variety of photographic techniques, including unusual lighting, unusual angle, unusual composition, etc.
The rule of the added unusual feature is an endeavor by the photographer to capture the audiences attention by drawing their eye to something unexpected by introducing an unusual highlight or prop into the photograph.
For example, the photograph of a little boy holding a hand grenade by Diane Arbus contains what Halsman would summon an added unusual feature.
Halsman's fourth rule of "the missing feature" stimulates the viewer by going against his or her expectations.
The fifth rule enlists the photographer to combine the other rules to add originality to his or her photo.
Finally, Halsman's literal or ideographic method is to illustrate a message in a photograph by depicting the subject as clearly as possible.
Other celebrities photographed by Halsman include Alfred Hitchcock and François Truffaut during their interview, Martin and Lewis, Judy Garland, Winston Churchill, Marilyn Monroe, Dorothy Dandridge, Pablo Picasso, and Jean Cocteau.[11] Many of those photographs appeared on the cover of Life.
In such photos, he utilizes a variety of his rules of photography. For example, in one of his photos of Winston Churchill, the omission of his face makes Halsman's photo even more influential at making Churchill more human.
Philippe Halsman: el fotógrafo que sorprende: Philippe Halsman was a Latvian-born American portrait photographer. His exceptionally beautiful portraits of famous artists, politicians, writers, and celebrities brought him name and recognition amongst other photographers.In John F. Kennedy sat twice for photographs by Halsman. A photograph from the first sitting appeared on the jacket of the original edition of Kennedy's publication Profiles in Courage; one from the second sitting was used in his senatorial campaign.
In Halsman was listed in Popular Photography magazine's "World's Ten Greatest Photographers", and in he received the Life Achievement in Photography Award from the American Culture of Magazine Photographers, of which he was elected the first president in He also held many large exhibitions worldwide.
In Halsman received the Golden Plate Award of the American Academy of Achievement.[12]
In the film Jump!, Halsman was portrayed by Ben Silverstone.
Source: Magnum Photos. Source: National Portrait Gallery. Toggle navigation. Extended Deadline: January 24, Go in Here.See also
Notes
- ^ abWeinstein, Deborah; Arpadi, Allen (). "Prior Life: The Tragedy That Transformed a Master". American Photo (May–June): 60–64,
- ^Unknown Halsman,
- ^Philippe Halsman’s autobiography.
- ^Magnum Photos Photographer Profile
- ^Life Library of Photography: Great Photographers, Alexandria, VA: Time-Life Books, (revised edition), p.
- ^"Silence of the Lambs". 30 April Retrieved
- ^"Dali's Skull Illusion Still Inspires".
In Riga, academy pupils were simultaneously taught five languages: Lettish, Russian, German, French, and Latin. I was at the head of the class and also its president in the last three school years. My father wanted me to study medicine, but I reflection that electrical engineering was the great profession of the future.
Scene. 19 January
With In Voluptas Mors image. - ^Abel-Hirsch, Hannah (13 August ). "Philippe Halsman: Jump". Magnum Photos.
- ^Panzer, Mary.Philippe Halsman was an innovative and highly influential portrait photographer, recognizable for his ability to capture the true essence of his subjects. His inventive techniques and unique approach to portrait photography have left a lasting impact on the field. Born in Riga, Latvia, inPhilippe Halsman showed an early interest in photography. He moved to Paris inwhere he began his professional career as a portrait photographer.
"Portraits by Halsman". National Portrait Gallery, Smithsonian Institution. Archived from the original on
- ^Halsman, Philippe: Philippe Halsman's Jump Book, p.
- ^Dream of a Poet: Halsman's Playful Portraits of Jean Cocteau, Life article by Richard Conway, Oct 10,
- ^"Golden Plate Awardees of the American Academy of Achievement".
. American Academy of Achievement.
References
- Pollack, Martin. Anklage Vatermord: Der Descend Philipp Halsmann, , Zsolnay. ISBN